| Photography records the gamut of feelings | You learn to see by practice. It's just like |
| written on the human face, the beauty of the | playing tennis, you get better the more you |
| earth and skies that man has inherited and the | play. The more you look around at things, the |
| wealth and confusion man has created. | more you see. The more you photograph, the |
| - Edward Steichen | more you realize what can be photographed |
| | and what can't be photographed. You just have |
| ...words and pictures can work together to | to keep doing it. - Eliot Porter |
| communicate more powerfully than either | |
| alone. -William Albert Allard | A picture is the expression of an impression. If |
| | the beautiful were not in us, how would we |
| | ever recognize it? - Ernst Haas |
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Tampa |
Little Rock |
Dallas |
San Jose |
Charleston |
Kearney |
Winchester |
Freehold |
Indialantic |
Lansing |
Plymouth |
Hancock |
Brookhaven |
Rensselaer |
Anderson |
Tomahawk |
Independence |
New Bern |
Malvern |
Charleston |
Canastota |
Livingston |
Canyonville |
Eugene |
Hollywood |
Seville |
Kansas City |
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| My own eyes are no more than scouts on a | Photography is my passion. - Alfred |
| preliminary search, for the camera's eye may | Stieglitz |
| entirely change my idea. - Edward | |
| Weston | "Simply look with perceptive eyes at the |
| | world about you, and trust to your own |
| The difficulty with color is to go beyond the | reactions and convictions. Ask yourself: |
| fact that it's color to have it be not just a | "Does this subject move me to feel, think |
| colorful picture but really be a picture about | and dream? Can I visualize a print - my own |
| something. It's difficult. So often color gets | personal statement of what I feel and want to |
| caught up in color, and it becomes merely | convey - from the subject before me?" |
| decorative. Some photographers use [ it ] | - Ansel Adams |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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