| A picture is the expression of an impression. If | Photography records the gamut of feelings |
| the beautiful were not in us, how would we | written on the human face, the beauty of the |
| ever recognize it? - Ernst Haas | earth and skies that man has inherited and the |
| | wealth and confusion man has created. |
| Sometimes you can tell a large story with a | - Edward Steichen |
| tiny subject. - Eliot Porter | |
| | Photography is about finding out what can |
| A great photograph is one that fully expresses | happen in the frame. When you put four |
| what one feels, in the deepest sense, about | edges around some facts, you change those |
| what is being photographed. - Ansel | facts. - Gary Winogrand |
| Adams | |
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Houston |
Chicago |
San Francisco |
Wichita |
Fresno |
Boise |
Grand Rapids |
Stuart |
New Smyrna Beach |
Enid |
New Orleans |
Henderson |
Manchester |
Renton |
Burlington |
Seagoville |
Port Lavaca |
Artesia |
Jefferson City |
Tigard |
Costa Mesa |
Debary |
Carrollton |
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| My own eyes are no more than scouts on a | [Photography] is a way of feeling, of touching, |
| preliminary search, for the camera's eye may | of loving. What you have caught on film is |
| entirely change my idea. - Edward | captured forever . . . it remembers little things, |
| Weston | long after you have forgotten everything. |
| | - Aaron Siskind |
| Photography suits the temper of this ageof | |
| active bodies and minds. It is a perfect | It is not the language of painters but the |
| medium for one whose mind is teeming with | language of nature which one should listen to. |
| ideas, imagery, for a prolific worker who | . . . The feeling for the things themselves, for |
| would be slowed down by painting or | reality, is more important than the feeling for |
| sculpting, for one who sees quickly and acts | pictures. - Vincent Van Gogh |
| decisively, accurately. - Edward Weston | |
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