| Memory is very important, the memory of | The virtue of the camera is not the power it |
| each photo taken, flowing at the same speed | has to transform the photographer into an |
| as the event. During the work, you have to be | artist, but the impulse it gives him to keep on |
| sure that you haven't left any holes, that you've | looking. - Brooks Anderson |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | A mad, keen photographer needs to get out |
| | into the world and work and make mistakes. |
| Photography is about finding out what can | - Sam Abell |
| happen in the frame. When you put four | |
| edges around some facts, you change those | My own eyes are no more than scouts on a |
| facts. - Gary Winogrand | preliminary search, for the camera's eye may |
| | entirely change my idea. - Edward |
| | Weston |
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San Francisco |
Corpus Christi |
Dothan |
Melbourne |
Lubbock |
Tuscaloosa |
Plantation |
Duluth |
Towson |
Temecula |
Dunkirk |
Dublin |
Russellville |
Moberly |
Cambridge |
Aventura |
Harbor City |
Nashville |
Marysville |
Black Mountain |
Jacksonville |
Gulfport |
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| You learn to see by practice. It's just like | "Simply look with perceptive eyes at the |
| playing tennis, you get better the more you | world about you, and trust to your own |
| play. The more you look around at things, the | reactions and convictions. Ask yourself: |
| more you see. The more you photograph, the | "Does this subject move me to feel, think |
| more you realize what can be photographed | and dream? Can I visualize a print - my own |
| and what can't be photographed. You just have | personal statement of what I feel and want to |
| to keep doing it. - Eliot Porter | convey - from the subject before me?" |
| | - Ansel Adams |
| A picture is the expression of an impression. If | |
| the beautiful were not in us, how would we | Once photography enters your bloodstream, |
| ever recognize it? - Ernst Haas | it's like a disease. - Anon |
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