| Photography knows how to authenticate its | "Simply look with perceptive eyes at the |
| misrepresentations. - Mason Cooley | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| ...words and pictures can work together to | "Does this subject move me to feel, think |
| communicate more powerfully than either | and dream? Can I visualize a print - my own |
| alone. -William Albert Allard | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| Photography records the gamut of feelings | - Ansel Adams |
| written on the human face, the beauty of the | |
| earth and skies that man has inherited and the | There is nothing worse than a sharp image of |
| wealth and confusion man has created. | a fuzzy concept. - Ansel Adams |
| - Edward Steichen | |
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Cincinnati |
Clearwater |
Tyler |
Washington |
Green Bay |
Irvine |
Franklin |
Florence |
Shreveport |
Salisbury |
Edison |
Frederick |
Wauwatosa |
Jackson |
Bluffton |
Bellevue |
Jackson |
Jersey City |
Cody |
Norwood |
Flagstaff |
Tahlequah |
Florham Park |
Keene |
Clinton |
Fort Morgan |
Fairhaven |
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| I think the best pictures are often on the edges | The difficulty with color is to go beyond the |
| of any situation, I don't find photographing the | fact that it's color to have it be not just a |
| situation nearly as interesting as | colorful picture but really be a picture about |
| photographing the edges. - William Albert | something. It's difficult. So often color gets |
| Allard | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| You can find pictures anywhere. It's simply a | brilliantly to make visual statements combining |
| matter of noticing things and organizing them. | color and content; otherwise it is empty. |
| You just have to care about what's around you | - Mary Ellen Mark |
| and have a concern with humanity and the | |
| human comedy. - Elliott Erwitt | |
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