| [Photography] is a way of feeling, of touching, | You've got to push yourself harder. You've got |
| of loving. What you have caught on film is | to start looking for pictures nobody else could |
| captured forever . . . it remembers little things, | take. You've got to take the tools you have and |
| long after you have forgotten everything. | probe deeper. - William Albert Allard |
| - Aaron Siskind | |
| | I think you have to have a real point of view |
| "Simply look with perceptive eyes at the | that's your own. You have to tell it your way. |
| world about you, and trust to your own | And, I think that it's a mistake to shoot for a |
| reactions and convictions. Ask yourself: | specific magazine's point of view because it's |
| "Does this subject move me to feel, think | never going to be as good. You have to shoot |
| and dream? Can I visualize a print - my own | for yourself and photograph [the way] you |
| personal statement of what I feel and want to | believe it. - Mary Ellen Mark |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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New York |
Houston |
Las Vegas |
Dallas |
Portland |
Richmond |
West Palm Beach |
Green Bay |
Arlington |
Collierville |
Dothan |
Arlington |
Antioch |
Lakewood |
Idabel |
Glen Burnie |
Satellite Beach |
Sturgeon Bay |
Crowley |
Midland |
Central City |
Williamsburg |
Petersburg |
Thompsonville |
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| I think the best pictures are often on the edges | The virtue of the camera is not the power it |
| of any situation, I don't find photographing the | has to transform the photographer into an |
| situation nearly as interesting as | artist, but the impulse it gives him to keep on |
| photographing the edges. - William Albert | looking. - Brooks Anderson |
| Allard | |
| | Photography suits the temper of this ageof |
| No place is boring, if you've had a good | active bodies and minds. It is a perfect |
| night's sleep and have a pocket full of | medium for one whose mind is teeming with |
| unexposed film. - Robert Adams | ideas, imagery, for a prolific worker who |
| | would be slowed down by painting or |
| | sculpting, for one who sees quickly and acts |
| | decisively, accurately. - Edward Weston |
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