| Photography knows how to authenticate its | The difficulty with color is to go beyond the |
| misrepresentations. - Mason Cooley | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| You've got to push yourself harder. You've got | something. It's difficult. So often color gets |
| to start looking for pictures nobody else could | caught up in color, and it becomes merely |
| take. You've got to take the tools you have and | decorative. Some photographers use [ it ] |
| probe deeper. - William Albert Allard | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| I think you have to have a real point of view | - Mary Ellen Mark |
| that's your own. You have to tell it your way. | |
| And, I think that it's a mistake to shoot for a | |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | |
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| Photography takes an instant out of time, | Sometimes you can tell a large story with a |
| altering life by holding it still. - Dorothea | tiny subject. - Eliot Porter |
| Lange | |
| | No place is boring, if you've had a good |
| It is not the language of painters but the | night's sleep and have a pocket full of |
| language of nature which one should listen to. | unexposed film. - Robert Adams |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | You can find pictures anywhere. It's simply a |
| pictures. - Vincent Van Gogh | matter of noticing things and organizing them. |
| | You just have to care about what's around you |
| | and have a concern with humanity and the |
| | human comedy. - Elliott Erwitt |
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