| Once photography enters your bloodstream, | The difficulty with color is to go beyond the |
| it's like a disease. - Anon | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| "Simply look with perceptive eyes at the | something. It's difficult. So often color gets |
| world about you, and trust to your own | caught up in color, and it becomes merely |
| reactions and convictions. Ask yourself: | decorative. Some photographers use [ it ] |
| "Does this subject move me to feel, think | brilliantly to make visual statements combining |
| and dream? Can I visualize a print - my own | color and content; otherwise it is empty. |
| personal statement of what I feel and want to | - Mary Ellen Mark |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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New York |
Chicago |
Tulsa |
Baton Rouge |
Louisville |
Dayton |
Columbia |
Flint |
Roswell |
Pomona |
Tallahassee |
Broken Arrow |
Auburn Hills |
Jasper |
East Hartford |
Monroe |
South Plainfield |
Lake Placid |
Hillsboro |
West Jordan |
Oshkosh |
Elgin |
Temple |
Franklin |
Colonial Heights |
Snoqualmie |
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| I think the best pictures are often on the edges | Photography records the gamut of feelings |
| of any situation, I don't find photographing the | written on the human face, the beauty of the |
| situation nearly as interesting as | earth and skies that man has inherited and the |
| photographing the edges. - William Albert | wealth and confusion man has created. |
| Allard | - Edward Steichen |
| | |
| You learn to see by practice. It's just like | ...words and pictures can work together to |
| playing tennis, you get better the more you | communicate more powerfully than either |
| play. The more you look around at things, the | alone. -William Albert Allard |
| more you see. The more you photograph, the | |
| more you realize what can be photographed | |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | |
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