| I almost never set out to photograph a | Photography records the gamut of feelings |
| landscape, nor do I think of my camera as a | written on the human face, the beauty of the |
| means of recording a mountain or an animal | earth and skies that man has inherited and the |
| unless I absolutely need a 'record shot'. My | wealth and confusion man has created. |
| first thought is always of light. - Galen | - Edward Steichen |
| Rowell | |
| | Pictures you have taken have an influence on |
| A mad, keen photographer needs to get out | those that you are going to make. |
| into the world and work and make mistakes. | That's life! - John Sexton |
| - Sam Abell | |
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Philadelphia |
Portland |
Atlanta |
Tampa |
St. Louis |
Reno |
Lafayette |
Memphis |
Anchorage |
Conroe |
Yorba Linda |
Grand Haven |
Kansas City |
Kendallville |
Brattleboro |
Houston |
Ephrata |
Lake Mary |
Phillipsburg |
Three Rivers |
Martin |
Jackson |
Marshall |
Salem |
Blue Earth |
Prince Frederick |
Monticello |
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| No place is boring, if you've had a good | "Simply look with perceptive eyes at the |
| night's sleep and have a pocket full of | world about you, and trust to your own |
| unexposed film. - Robert Adams | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| You learn to see by practice. It's just like | and dream? Can I visualize a print - my own |
| playing tennis, you get better the more you | personal statement of what I feel and want to |
| play. The more you look around at things, the | convey - from the subject before me?" |
| more you see. The more you photograph, the | - Ansel Adams |
| more you realize what can be photographed | |
| and what can't be photographed. You just have | Photography takes an instant out of time, |
| to keep doing it. - Eliot Porter | altering life by holding it still. - Dorothea |
| | Lange |
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