| You can find pictures anywhere. It's simply a | Memory is very important, the memory of |
| matter of noticing things and organizing them. | each photo taken, flowing at the same speed |
| You just have to care about what's around you | as the event. During the work, you have to be |
| and have a concern with humanity and the | sure that you haven't left any holes, that you've |
| human comedy. - Elliott Erwitt | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
| A room hung with pictures is a room hung with | |
| thoughts. - Sir Joshua Reynolds | Photography knows how to authenticate its |
| | misrepresentations. - Mason Cooley |
| I think the best pictures are often on the edges | |
| of any situation, I don't find photographing the | |
| situation nearly as interesting as | |
| photographing the edges. - William Albert | |
| Allard | |
|
|
Chicago |
Phoenix |
Springfield |
Tacoma |
Boca Raton |
Anchorage |
Dallas |
Joliet |
Coral Springs |
Flint |
Palm Springs |
Cumberland |
Hickory |
St. Cloud |
Cleveland |
Coral Gables |
Clare |
Cheboygan |
Asbury Park |
Astoria |
Clarksdale |
Los Banos |
Moosic |
Waterford |
Spring Lake |
Bridgeview |
Lantana |
North Syracuse |
Muscle Shoals |
|
|
| [Photography] is a way of feeling, of touching, | The difficulty with color is to go beyond the |
| of loving. What you have caught on film is | fact that it's color to have it be not just a |
| captured forever . . . it remembers little things, | colorful picture but really be a picture about |
| long after you have forgotten everything. | something. It's difficult. So often color gets |
| - Aaron Siskind | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| "Simply look with perceptive eyes at the | brilliantly to make visual statements combining |
| world about you, and trust to your own | color and content; otherwise it is empty. |
| reactions and convictions. Ask yourself: | - Mary Ellen Mark |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
|