| There is nothing worse than a sharp image of | Photography suits the temper of this ageof |
| a fuzzy concept. - Ansel Adams | active bodies and minds. It is a perfect |
| | medium for one whose mind is teeming with |
| "Simply look with perceptive eyes at the | ideas, imagery, for a prolific worker who |
| world about you, and trust to your own | would be slowed down by painting or |
| reactions and convictions. Ask yourself: | sculpting, for one who sees quickly and acts |
| "Does this subject move me to feel, think | decisively, accurately. - Edward Weston |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | One should really use the camera as though |
| convey - from the subject before me?" | tomorrow you'd be stricken blind. |
| - Ansel Adams | - Dorothea Lange |
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Fort Lauderdale |
Baltimore |
Bradenton |
Wilmington |
Fort Myers |
White Plains |
Boca Raton |
Paris |
Blackfoot |
Westborough |
Amsterdam |
Lumberton |
Cape Canaveral |
San Rafael |
Castro Valley |
Petersburg |
Cleburne |
Cleveland |
Woodward |
Three Rivers |
Durham |
Cleveland |
Ludlow |
Ramsey |
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| I think the best pictures are often on the edges | Photography records the gamut of feelings |
| of any situation, I don't find photographing the | written on the human face, the beauty of the |
| situation nearly as interesting as | earth and skies that man has inherited and the |
| photographing the edges. - William Albert | wealth and confusion man has created. |
| Allard | - Edward Steichen |
| | |
| A great photograph is one that fully expresses | I think you have to have a real point of view |
| what one feels, in the deepest sense, about | that's your own. You have to tell it your way. |
| what is being photographed. - Ansel | And, I think that it's a mistake to shoot for a |
| Adams | specific magazine's point of view because it's |
| | never going to be as good. You have to shoot |
| | for yourself and photograph [the way] you |
| | believe it. - Mary Ellen Mark |
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