| My own eyes are no more than scouts on a | Photography knows how to authenticate its |
| preliminary search, for the camera's eye may | misrepresentations. - Mason Cooley |
| entirely change my idea. - Edward | |
| Weston | Memory is very important, the memory of |
| | each photo taken, flowing at the same speed |
| I almost never set out to photograph a | as the event. During the work, you have to be |
| landscape, nor do I think of my camera as a | sure that you haven't left any holes, that you've |
| means of recording a mountain or an animal | captured everything, because afterwards it will |
| unless I absolutely need a 'record shot'. My | be too late. - Henri Cartier Bresson |
| first thought is always of light. - Galen | |
| Rowell | |
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| It is not the language of painters but the | Keep it simple. - Alfred Eienstaedt |
| language of nature which one should listen to. | |
| . . . The feeling for the things themselves, for | A great photograph is one that fully expresses |
| reality, is more important than the feeling for | what one feels, in the deepest sense, about |
| pictures. - Vincent Van Gogh | what is being photographed. - Ansel |
| | Adams |
| There is nothing worse than a sharp image of | |
| a fuzzy concept. - Ansel Adams | No place is boring, if you've had a good |
| | night's sleep and have a pocket full of |
| Once photography enters your bloodstream, | unexposed film. - Robert Adams |
| it's like a disease. - Anon | |
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