| I almost never set out to photograph a | Once photography enters your bloodstream, |
| landscape, nor do I think of my camera as a | it's like a disease. - Anon |
| means of recording a mountain or an animal | |
| unless I absolutely need a 'record shot'. My | "Simply look with perceptive eyes at the |
| first thought is always of light. - Galen | world about you, and trust to your own |
| Rowell | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| A mad, keen photographer needs to get out | and dream? Can I visualize a print - my own |
| into the world and work and make mistakes. | personal statement of what I feel and want to |
| - Sam Abell | convey - from the subject before me?" |
| | - Ansel Adams |
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New York |
Pittsburgh |
Portland |
Fort Lauderdale |
St. Louis |
Roanoke |
Syracuse |
Great Falls |
Camarillo |
Alameda |
Inglewood |
Alexandria |
Cranford |
Pittsfield |
Watertown |
Calhoun |
Auburn |
Centreville |
San Marcos |
Mt Prospect |
Norwalk |
Leavenworth |
Newark |
Richfield |
Dorchester |
Claremont |
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| Memory is very important, the memory of | A picture is the expression of an impression. If |
| each photo taken, flowing at the same speed | the beautiful were not in us, how would we |
| as the event. During the work, you have to be | ever recognize it? - Ernst Haas |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | I think the best pictures are often on the edges |
| be too late. - Henri Cartier Bresson | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| Photography is about finding out what can | photographing the edges. - William Albert |
| happen in the frame. When you put four | Allard |
| edges around some facts, you change those | |
| facts. - Gary Winogrand | |
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