| Photography is my passion. - Alfred | The difficulty with color is to go beyond the |
| Stieglitz | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| "Simply look with perceptive eyes at the | something. It's difficult. So often color gets |
| world about you, and trust to your own | caught up in color, and it becomes merely |
| reactions and convictions. Ask yourself: | decorative. Some photographers use [ it ] |
| "Does this subject move me to feel, think | brilliantly to make visual statements combining |
| and dream? Can I visualize a print - my own | color and content; otherwise it is empty. |
| personal statement of what I feel and want to | - Mary Ellen Mark |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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New York |
Brooklyn |
Tucson |
Garland |
Raleigh |
Ocala |
Gainesville |
Cookeville |
St. Louis |
Covington |
Oakland |
Shelton |
Orlando |
Ellicott City |
Springfield |
Booneville |
Greenwood |
Coronado |
Lake Placid |
Stone Mountain |
Roswell |
Harmarville |
Galesburg |
Red Wing |
Wayne |
Meridian |
Mukilteo |
Kalamazoo |
Chandler |
North Haven |
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| You can find pictures anywhere. It's simply a | You've got to push yourself harder. You've got |
| matter of noticing things and organizing them. | to start looking for pictures nobody else could |
| You just have to care about what's around you | take. You've got to take the tools you have and |
| and have a concern with humanity and the | probe deeper. - William Albert Allard |
| human comedy. - Elliott Erwitt | |
| | Photography is a major force in explaining |
| Keep it simple. - Alfred Eienstaedt | man to man. - Edward Steichen |
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| A great photograph is one that fully expresses | Pictures you have taken have an influence on |
| what one feels, in the deepest sense, about | those that you are going to make. |
| what is being photographed. - Ansel | That's life! - John Sexton |
| Adams | |
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