| You can find pictures anywhere. It's simply a | Photography knows how to authenticate its |
| matter of noticing things and organizing them. | misrepresentations. - Mason Cooley |
| You just have to care about what's around you | |
| and have a concern with humanity and the | Photography is a major force in explaining |
| human comedy. - Elliott Erwitt | man to man. - Edward Steichen |
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| A good picture is equivalent to a good deed. | Photography is about finding out what can |
| - Vincent Van Gogh | happen in the frame. When you put four |
| | edges around some facts, you change those |
| Keep it simple. - Alfred Eienstaedt | facts. - Gary Winogrand |
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New York |
St. Louis |
Tampa |
Milwaukee |
Rapid City |
Leesburg |
Bonita Springs |
Kansas City |
Ponte Vedra Beach |
Tarrytown |
Pawtucket |
St. Charles |
Santa Monica |
Longview |
Walla Walla |
Estes Park |
Stuart |
Palo Alto |
Berea |
New Port Richey |
Centralia |
New Albany |
Troy |
Scottsdale |
Gaffney |
Key West |
Oakridge |
Saddle Brook |
Chino |
Miami Lakes |
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| It is not the language of painters but the | Photography suits the temper of this ageof |
| language of nature which one should listen to. | active bodies and minds. It is a perfect |
| . . . The feeling for the things themselves, for | medium for one whose mind is teeming with |
| reality, is more important than the feeling for | ideas, imagery, for a prolific worker who |
| pictures. - Vincent Van Gogh | would be slowed down by painting or |
| | sculpting, for one who sees quickly and acts |
| "Simply look with perceptive eyes at the | decisively, accurately. - Edward Weston |
| world about you, and trust to your own | |
| reactions and convictions. Ask yourself: | A mad, keen photographer needs to get out |
| "Does this subject move me to feel, think | into the world and work and make mistakes. |
| and dream? Can I visualize a print - my own | - Sam Abell |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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