| The virtue of the camera is not the power it | Photography is about finding out what can |
| has to transform the photographer into an | happen in the frame. When you put four |
| artist, but the impulse it gives him to keep on | edges around some facts, you change those |
| looking. - Brooks Anderson | facts. - Gary Winogrand |
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| My own eyes are no more than scouts on a | I think you have to have a real point of view |
| preliminary search, for the camera's eye may | that's your own. You have to tell it your way. |
| entirely change my idea. - Edward | And, I think that it's a mistake to shoot for a |
| Weston | specific magazine's point of view because it's |
| | never going to be as good. You have to shoot |
| | for yourself and photograph [the way] you |
| | believe it. - Mary Ellen Mark |
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Houston |
San Antonio |
Atlanta |
Columbus |
New Orleans |
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Tyler |
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| It is not the language of painters but the | No place is boring, if you've had a good |
| language of nature which one should listen to. | night's sleep and have a pocket full of |
| . . . The feeling for the things themselves, for | unexposed film. - Robert Adams |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | I think the best pictures are often on the edges |
| | of any situation, I don't find photographing the |
| [Photography] is a way of feeling, of touching, | situation nearly as interesting as |
| of loving. What you have caught on film is | photographing the edges. - William Albert |
| captured forever . . . it remembers little things, | Allard |
| long after you have forgotten everything. | |
| - Aaron Siskind | |
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