| There is nothing worse than a sharp image of | One should really use the camera as though |
| a fuzzy concept. - Ansel Adams | tomorrow you'd be stricken blind. |
| | - Dorothea Lange |
| Above all, it's hard learning to live with vivid | |
| mental images of scenes I cared for and failed | A mad, keen photographer needs to get out |
| to photograph. It is the edgy existence within | into the world and work and make mistakes. |
| me of these unmade images that is the only | - Sam Abell |
| assurance that the best photographs are yet to | |
| be made. - Sam Abell | My own eyes are no more than scouts on a |
| | preliminary search, for the camera's eye may |
| | entirely change my idea. - Edward |
| | Weston |
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Cincinnati |
Memphis |
Salt Lake City |
Charlotte |
Irving |
Acworth |
Evanston |
Denville |
Edmond |
Reno |
Syosset |
Fulton |
League City |
Grand Blanc |
Atlantic City |
Mount Shasta |
Eaton |
Beavercreek |
Hereford |
North Ridgeville |
Orange |
Somerville |
Buffalo |
Princess Anne |
Ripley |
Mckinleyville |
Montpelier |
Pueblo West |
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| A great photograph is one that fully expresses | You've got to push yourself harder. You've got |
| what one feels, in the deepest sense, about | to start looking for pictures nobody else could |
| what is being photographed. - Ansel | take. You've got to take the tools you have and |
| Adams | probe deeper. - William Albert Allard |
| | |
| A good picture is equivalent to a good deed. | Memory is very important, the memory of |
| - Vincent Van Gogh | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| You can find pictures anywhere. It's simply a | sure that you haven't left any holes, that you've |
| matter of noticing things and organizing them. | captured everything, because afterwards it will |
| You just have to care about what's around you | be too late. - Henri Cartier Bresson |
| and have a concern with humanity and the | |
| human comedy. - Elliott Erwitt | |
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