| ...words and pictures can work together to | There is nothing worse than a sharp image of |
| communicate more powerfully than either | a fuzzy concept. - Ansel Adams |
| alone. -William Albert Allard | |
| | Now to consult the rules of composition before |
| Memory is very important, the memory of | making a picture is a little like consulting the |
| each photo taken, flowing at the same speed | law of gravitation before going for a walk. |
| as the event. During the work, you have to be | Such rules and laws are deduced from the |
| sure that you haven't left any holes, that you've | accomplished fact; they are the products of |
| captured everything, because afterwards it will | reflection . . . - Edward Weston |
| be too late. - Henri Cartier Bresson | |
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Houston |
San Antonio |
New York |
Portland |
Pasadena |
Springfield |
Macon |
Bayside |
Meadville |
Guthrie |
Ventura |
Hamilton |
Saugus |
Normal |
Farmington Hills |
Branford |
Wheat Ridge |
Redlands |
Pekin |
Tilton |
Albany |
Ocoee |
Alto |
Germantown |
Monticello |
Junction City |
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| The virtue of the camera is not the power it | You learn to see by practice. It's just like |
| has to transform the photographer into an | playing tennis, you get better the more you |
| artist, but the impulse it gives him to keep on | play. The more you look around at things, the |
| looking. - Brooks Anderson | more you see. The more you photograph, the |
| | more you realize what can be photographed |
| One should really use the camera as though | and what can't be photographed. You just have |
| tomorrow you'd be stricken blind. | to keep doing it. - Eliot Porter |
| - Dorothea Lange | |
| | A room hung with pictures is a room hung with |
| A mad, keen photographer needs to get out | thoughts. - Sir Joshua Reynolds |
| into the world and work and make mistakes. | |
| - Sam Abell | |
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