| Memory is very important, the memory of | A mad, keen photographer needs to get out |
| each photo taken, flowing at the same speed | into the world and work and make mistakes. |
| as the event. During the work, you have to be | - Sam Abell |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | The difficulty with color is to go beyond the |
| be too late. - Henri Cartier Bresson | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| You've got to push yourself harder. You've got | something. It's difficult. So often color gets |
| to start looking for pictures nobody else could | caught up in color, and it becomes merely |
| take. You've got to take the tools you have and | decorative. Some photographers use [ it ] |
| probe deeper. - William Albert Allard | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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Los Angeles |
Cincinnati |
Fort Myers |
Columbus |
Canton |
Slidell |
Fort Collins |
Duluth |
Honolulu |
Medina |
Jackson |
Milton |
Scottsdale |
Springboro |
College Park |
Enumclaw |
Arlington |
Exeter |
Fall River |
Rice Lake |
Snoqualmie |
Dayton |
Grants Pass |
Dumas |
Belfast |
Munising |
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| "Simply look with perceptive eyes at the | A picture is the expression of an impression. If |
| world about you, and trust to your own | the beautiful were not in us, how would we |
| reactions and convictions. Ask yourself: | ever recognize it? - Ernst Haas |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | Keep it simple. - Alfred Eienstaedt |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | I think the best pictures are often on the edges |
| - Ansel Adams | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| Now to consult the rules of composition before | photographing the edges. - William Albert |
| making a picture is a little like consulting the | Allard |
| law of gravitation before going for a walk. | |
| Such rules and laws are deduced from the | |
| accomplished fact; they are the products of | |
| reflection . . . - Edward Weston | |
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