| You've got to push yourself harder. You've got | Photography takes an instant out of time, |
| to start looking for pictures nobody else could | altering life by holding it still. - Dorothea |
| take. You've got to take the tools you have and | Lange |
| probe deeper. - William Albert Allard | |
| | "Simply look with perceptive eyes at the |
| Photography records the gamut of feelings | world about you, and trust to your own |
| written on the human face, the beauty of the | reactions and convictions. Ask yourself: |
| earth and skies that man has inherited and the | "Does this subject move me to feel, think |
| wealth and confusion man has created. | and dream? Can I visualize a print - my own |
| - Edward Steichen | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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Memphis |
Durham |
Glendale |
Green Bay |
Jacksonville |
Conyers |
Chattanooga |
Bethlehem |
Albany |
Brighton |
Lake Charles |
Safford |
Portsmouth |
Lexington |
Dalton |
New York |
Oregon |
Napa |
Petaluma |
Franklin |
Ironwood |
Liverpool |
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| A picture is the expression of an impression. If | The camera makes everyone a tourist in other |
| the beautiful were not in us, how would we | people's reality. - Susan Sontag |
| ever recognize it? - Ernst Haas | |
| | Photography suits the temper of this ageof |
| Sometimes you can tell a large story with a | active bodies and minds. It is a perfect |
| tiny subject. - Eliot Porter | medium for one whose mind is teeming with |
| | ideas, imagery, for a prolific worker who |
| No place is boring, if you've had a good | would be slowed down by painting or |
| night's sleep and have a pocket full of | sculpting, for one who sees quickly and acts |
| unexposed film. - Robert Adams | decisively, accurately. - Edward Weston |
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