| "Simply look with perceptive eyes at the | I think you have to have a real point of view |
| world about you, and trust to your own | that's your own. You have to tell it your way. |
| reactions and convictions. Ask yourself: | And, I think that it's a mistake to shoot for a |
| "Does this subject move me to feel, think | specific magazine's point of view because it's |
| and dream? Can I visualize a print - my own | never going to be as good. You have to shoot |
| personal statement of what I feel and want to | for yourself and photograph [the way] you |
| convey - from the subject before me?" | believe it. - Mary Ellen Mark |
| - Ansel Adams | |
| | Memory is very important, the memory of |
| Photography takes an instant out of time, | each photo taken, flowing at the same speed |
| altering life by holding it still. - Dorothea | as the event. During the work, you have to be |
| Lange | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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Chicago |
Cleveland |
Knoxville |
West Palm Beach |
Greensboro |
Akron |
Whittier |
Fort Smith |
Odessa |
Albuquerque |
Florissant |
Watsonville |
East Hanover |
Westlake |
Hilton Head Island |
Abingdon |
Cranston |
Marshalltown |
Loudon |
Providence |
North Olmsted |
Morristown |
Prescott |
Cohasset |
Natchez |
Kannapolis |
Wyomissing |
Fulton |
Red Wing |
San Mateo |
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| A picture is the expression of an impression. If | The difficulty with color is to go beyond the |
| the beautiful were not in us, how would we | fact that it's color to have it be not just a |
| ever recognize it? - Ernst Haas | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| A good picture is equivalent to a good deed. | caught up in color, and it becomes merely |
| - Vincent Van Gogh | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| I think the best pictures are often on the edges | color and content; otherwise it is empty. |
| of any situation, I don't find photographing the | - Mary Ellen Mark |
| situation nearly as interesting as | |
| photographing the edges. - William Albert | |
| Allard | |
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