| Above all, it's hard learning to live with vivid | You learn to see by practice. It's just like |
| mental images of scenes I cared for and failed | playing tennis, you get better the more you |
| to photograph. It is the edgy existence within | play. The more you look around at things, the |
| me of these unmade images that is the only | more you see. The more you photograph, the |
| assurance that the best photographs are yet to | more you realize what can be photographed |
| be made. - Sam Abell | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
| It is not the language of painters but the | |
| language of nature which one should listen to. | I think the best pictures are often on the edges |
| . . . The feeling for the things themselves, for | of any situation, I don't find photographing the |
| reality, is more important than the feeling for | situation nearly as interesting as |
| pictures. - Vincent Van Gogh | photographing the edges. - William Albert |
| | Allard |
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New York |
San Jose |
Gainesville |
San Antonio |
Arlington |
Myrtle Beach |
Paris |
Wilmington |
Springfield |
Manchester |
Rockford |
Las Vegas |
Port Huron |
Martinsville |
Tahlequah |
Acworth |
Front Royal |
San Diego |
Harrison |
Bentleyville |
Bridgeport |
Lawrenceville |
Kansas City |
Winter Garden |
Grain Valley |
Morrisville |
Alpine |
Spring Lake |
Petersburg |
Oakley |
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| Memory is very important, the memory of | One should really use the camera as though |
| each photo taken, flowing at the same speed | tomorrow you'd be stricken blind. |
| as the event. During the work, you have to be | - Dorothea Lange |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | I almost never set out to photograph a |
| be too late. - Henri Cartier Bresson | landscape, nor do I think of my camera as a |
| | means of recording a mountain or an animal |
| Photography is about finding out what can | unless I absolutely need a 'record shot'. My |
| happen in the frame. When you put four | first thought is always of light. - Galen |
| edges around some facts, you change those | Rowell |
| facts. - Gary Winogrand | |
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