| I think the best pictures are often on the edges | Photography knows how to authenticate its |
| of any situation, I don't find photographing the | misrepresentations. - Mason Cooley |
| situation nearly as interesting as | |
| photographing the edges. - William Albert | Memory is very important, the memory of |
| Allard | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| You learn to see by practice. It's just like | sure that you haven't left any holes, that you've |
| playing tennis, you get better the more you | captured everything, because afterwards it will |
| play. The more you look around at things, the | be too late. - Henri Cartier Bresson |
| more you see. The more you photograph, the | |
| more you realize what can be photographed | |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | |
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Cincinnati |
Seattle |
Tulsa |
Louisville |
Alexandria |
Springfield |
Worcester |
Indianapolis |
New Iberia |
Newport News |
Oshkosh |
Lakewood |
Oskaloosa |
St. Louis |
Beaufort |
Blue Ridge |
Canastota |
Searcy |
Crescent City |
Owensboro |
Susanville |
Pocomoke City |
Staten Island |
Monahans |
Greenville |
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| [Photography] is a way of feeling, of touching, | My own eyes are no more than scouts on a |
| of loving. What you have caught on film is | preliminary search, for the camera's eye may |
| captured forever . . . it remembers little things, | entirely change my idea. - Edward |
| long after you have forgotten everything. | Weston |
| - Aaron Siskind | |
| | A mad, keen photographer needs to get out |
| There is nothing worse than a sharp image of | into the world and work and make mistakes. |
| a fuzzy concept. - Ansel Adams | - Sam Abell |
| | |
| It is not the language of painters but the | The virtue of the camera is not the power it |
| language of nature which one should listen to. | has to transform the photographer into an |
| . . . The feeling for the things themselves, for | artist, but the impulse it gives him to keep on |
| reality, is more important than the feeling for | looking. - Brooks Anderson |
| pictures. - Vincent Van Gogh | |
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