| My own eyes are no more than scouts on a | You've got to push yourself harder. You've got |
| preliminary search, for the camera's eye may | to start looking for pictures nobody else could |
| entirely change my idea. - Edward | take. You've got to take the tools you have and |
| Weston | probe deeper. - William Albert Allard |
| | |
| Photography suits the temper of this ageof | Pictures you have taken have an influence on |
| active bodies and minds. It is a perfect | those that you are going to make. |
| medium for one whose mind is teeming with | That's life! - John Sexton |
| ideas, imagery, for a prolific worker who | |
| would be slowed down by painting or | Memory is very important, the memory of |
| sculpting, for one who sees quickly and acts | each photo taken, flowing at the same speed |
| decisively, accurately. - Edward Weston | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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Houston |
Jacksonville |
St. Louis |
Tulsa |
San Jose |
Cleveland |
Lexington |
Vero Beach |
Fort Lauderdale |
Del City |
Chicopee |
Union City |
Maple Grove |
Slidell |
Surfside Beach |
Lansing |
Nederland |
Brookville |
Augusta |
Folkston |
St. Croix Falls |
Pekin |
Wurtsboro |
Pueblo West |
Fort Dodge |
Nags Head |
Chalmette |
Saraland |
Othello |
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| A great photograph is one that fully expresses | "Simply look with perceptive eyes at the |
| what one feels, in the deepest sense, about | world about you, and trust to your own |
| what is being photographed. - Ansel | reactions and convictions. Ask yourself: |
| Adams | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| Keep it simple. - Alfred Eienstaedt | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| A picture is the expression of an impression. If | - Ansel Adams |
| the beautiful were not in us, how would we | |
| ever recognize it? - Ernst Haas | Now to consult the rules of composition before |
| | making a picture is a little like consulting the |
| | law of gravitation before going for a walk. |
| | Such rules and laws are deduced from the |
| | accomplished fact; they are the products of |
| | reflection . . . - Edward Weston |
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