| One should really use the camera as though | [Photography] is a way of feeling, of touching, |
| tomorrow you'd be stricken blind. | of loving. What you have caught on film is |
| - Dorothea Lange | captured forever . . . it remembers little things, |
| | long after you have forgotten everything. |
| My own eyes are no more than scouts on a | - Aaron Siskind |
| preliminary search, for the camera's eye may | |
| entirely change my idea. - Edward | "Simply look with perceptive eyes at the |
| Weston | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| The camera makes everyone a tourist in other | "Does this subject move me to feel, think |
| people's reality. - Susan Sontag | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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Houston |
Atlanta |
Denver |
Arlington |
Flint |
Santa Rosa |
Lorain |
Little Rock |
Visalia |
Chatsworth |
Redmond |
Waterbury |
Vidalia |
Cody |
Corona |
Glenwood Springs |
Conover |
Las Vegas |
Fayetteville |
Pembroke Pines |
Eufaula |
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| I think you have to have a real point of view | A good picture is equivalent to a good deed. |
| that's your own. You have to tell it your way. | - Vincent Van Gogh |
| And, I think that it's a mistake to shoot for a | |
| specific magazine's point of view because it's | A picture is the expression of an impression. If |
| never going to be as good. You have to shoot | the beautiful were not in us, how would we |
| for yourself and photograph [the way] you | ever recognize it? - Ernst Haas |
| believe it. - Mary Ellen Mark | |
| | Sometimes you can tell a large story with a |
| Photography is a major force in explaining | tiny subject. - Eliot Porter |
| man to man. - Edward Steichen | |
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