| Memory is very important, the memory of | The difficulty with color is to go beyond the |
| each photo taken, flowing at the same speed | fact that it's color to have it be not just a |
| as the event. During the work, you have to be | colorful picture but really be a picture about |
| sure that you haven't left any holes, that you've | something. It's difficult. So often color gets |
| captured everything, because afterwards it will | caught up in color, and it becomes merely |
| be too late. - Henri Cartier Bresson | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| Photography is about finding out what can | color and content; otherwise it is empty. |
| happen in the frame. When you put four | - Mary Ellen Mark |
| edges around some facts, you change those | |
| facts. - Gary Winogrand | |
|
|
New York |
Pittsburgh |
Chicago |
St. Louis |
Kansas City |
Philadelphia |
Charlotte |
Boston |
Youngstown |
Joliet |
El Cajon |
Quincy |
New Braunfels |
Pottstown |
Jupiter |
Conneaut |
Foxboro |
Easton |
Mason |
Eureka |
Clemson |
Port Angeles |
Milldale |
Bloomington |
Allentown Whitehall |
Northampton |
Fridley |
|
|
| Now to consult the rules of composition before | A great photograph is one that fully expresses |
| making a picture is a little like consulting the | what one feels, in the deepest sense, about |
| law of gravitation before going for a walk. | what is being photographed. - Ansel |
| Such rules and laws are deduced from the | Adams |
| accomplished fact; they are the products of | |
| reflection . . . - Edward Weston | I think the best pictures are often on the edges |
| | of any situation, I don't find photographing the |
| Above all, it's hard learning to live with vivid | situation nearly as interesting as |
| mental images of scenes I cared for and failed | photographing the edges. - William Albert |
| to photograph. It is the edgy existence within | Allard |
| me of these unmade images that is the only | |
| assurance that the best photographs are yet to | |
| be made. - Sam Abell | |
|