| Pictures you have taken have an influence on | I think the best pictures are often on the edges |
| those that you are going to make. | of any situation, I don't find photographing the |
| That's life! - John Sexton | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| Memory is very important, the memory of | Allard |
| each photo taken, flowing at the same speed | |
| as the event. During the work, you have to be | A picture is the expression of an impression. If |
| sure that you haven't left any holes, that you've | the beautiful were not in us, how would we |
| captured everything, because afterwards it will | ever recognize it? - Ernst Haas |
| be too late. - Henri Cartier Bresson | |
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San Diego |
Miami |
Las Vegas |
San Antonio |
Houston |
Boston |
Cedar Rapids |
Santa Fe |
Kingsport |
Cerritos |
Vicksburg |
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Germantown |
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Selma |
West Valley City |
Tarzana |
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| Photography takes an instant out of time, | The difficulty with color is to go beyond the |
| altering life by holding it still. - Dorothea | fact that it's color to have it be not just a |
| Lange | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| "Simply look with perceptive eyes at the | caught up in color, and it becomes merely |
| world about you, and trust to your own | decorative. Some photographers use [ it ] |
| reactions and convictions. Ask yourself: | brilliantly to make visual statements combining |
| "Does this subject move me to feel, think | color and content; otherwise it is empty. |
| and dream? Can I visualize a print - my own | - Mary Ellen Mark |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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