| A mad, keen photographer needs to get out | Keep it simple. - Alfred Eienstaedt |
| into the world and work and make mistakes. | |
| - Sam Abell | A good picture is equivalent to a good deed. |
| | - Vincent Van Gogh |
| Photography suits the temper of this ageof | |
| active bodies and minds. It is a perfect | A picture is the expression of an impression. If |
| medium for one whose mind is teeming with | the beautiful were not in us, how would we |
| ideas, imagery, for a prolific worker who | ever recognize it? - Ernst Haas |
| would be slowed down by painting or | |
| sculpting, for one who sees quickly and acts | You learn to see by practice. It's just like |
| decisively, accurately. - Edward Weston | playing tennis, you get better the more you |
| | play. The more you look around at things, the |
| | more you see. The more you photograph, the |
| | more you realize what can be photographed |
| | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
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Tampa |
Virginia Beach |
West Palm Beach |
Melbourne |
Edmond |
Belleville |
Milwaukee |
Duluth |
Greenville |
Detroit |
Palatine |
Carbondale |
Gadsden |
Trenton |
Southfield |
Lawndale |
Northville |
White Plains |
Lisle |
Bentleyville |
Augusta |
Salina |
Gurnee |
Litchfield Park |
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| Photography knows how to authenticate its | It is not the language of painters but the |
| misrepresentations. - Mason Cooley | language of nature which one should listen to. |
| | . . . The feeling for the things themselves, for |
| Photography is about finding out what can | reality, is more important than the feeling for |
| happen in the frame. When you put four | pictures. - Vincent Van Gogh |
| edges around some facts, you change those | |
| facts. - Gary Winogrand | Above all, it's hard learning to live with vivid |
| | mental images of scenes I cared for and failed |
| Memory is very important, the memory of | to photograph. It is the edgy existence within |
| each photo taken, flowing at the same speed | me of these unmade images that is the only |
| as the event. During the work, you have to be | assurance that the best photographs are yet to |
| sure that you haven't left any holes, that you've | be made. - Sam Abell |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
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