| There is nothing worse than a sharp image of | You've got to push yourself harder. You've got |
| a fuzzy concept. - Ansel Adams | to start looking for pictures nobody else could |
| | take. You've got to take the tools you have and |
| "Simply look with perceptive eyes at the | probe deeper. - William Albert Allard |
| world about you, and trust to your own | |
| reactions and convictions. Ask yourself: | Photography records the gamut of feelings |
| "Does this subject move me to feel, think | written on the human face, the beauty of the |
| and dream? Can I visualize a print - my own | earth and skies that man has inherited and the |
| personal statement of what I feel and want to | wealth and confusion man has created. |
| convey - from the subject before me?" | - Edward Steichen |
| - Ansel Adams | |
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New York |
Chicago |
Nashville |
Cincinnati |
Pompano Beach |
Rochester |
Bloomington |
Slidell |
Mason City |
Warren |
North Brunswick |
League City |
Loudon |
Stuart |
Evansville |
Statesville |
Owatonna |
Great Falls |
Reidsville |
Rolling Meadows |
Renton |
Muncie |
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| You learn to see by practice. It's just like | One should really use the camera as though |
| playing tennis, you get better the more you | tomorrow you'd be stricken blind. |
| play. The more you look around at things, the | - Dorothea Lange |
| more you see. The more you photograph, the | |
| more you realize what can be photographed | The camera makes everyone a tourist in other |
| and what can't be photographed. You just have | people's reality. - Susan Sontag |
| to keep doing it. - Eliot Porter | |
| | The difficulty with color is to go beyond the |
| No place is boring, if you've had a good | fact that it's color to have it be not just a |
| night's sleep and have a pocket full of | colorful picture but really be a picture about |
| unexposed film. - Robert Adams | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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