| There is nothing worse than a sharp image of | Photography records the gamut of feelings |
| a fuzzy concept. - Ansel Adams | written on the human face, the beauty of the |
| | earth and skies that man has inherited and the |
| Above all, it's hard learning to live with vivid | wealth and confusion man has created. |
| mental images of scenes I cared for and failed | - Edward Steichen |
| to photograph. It is the edgy existence within | |
| me of these unmade images that is the only | ...words and pictures can work together to |
| assurance that the best photographs are yet to | communicate more powerfully than either |
| be made. - Sam Abell | alone. -William Albert Allard |
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Houston |
St. Louis |
Greenville |
St. Paul |
Portland |
Green Bay |
Wichita Falls |
Portsmouth |
Concord |
Poughkeepsie |
Davenport |
Martin |
Lancaster |
Woodbridge |
Carrollton |
Waterville |
Newnan |
Cornelia |
Montgomery |
Castle Rock |
Emporia |
Bayside |
Garden City |
El Monte |
Brooklyn Park |
Mount Orab |
Mattoon |
Van Horn |
Aberdeen |
Galveston |
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| My own eyes are no more than scouts on a | You learn to see by practice. It's just like |
| preliminary search, for the camera's eye may | playing tennis, you get better the more you |
| entirely change my idea. - Edward | play. The more you look around at things, the |
| Weston | more you see. The more you photograph, the |
| | more you realize what can be photographed |
| A mad, keen photographer needs to get out | and what can't be photographed. You just have |
| into the world and work and make mistakes. | to keep doing it. - Eliot Porter |
| - Sam Abell | |
| | Sometimes you can tell a large story with a |
| One should really use the camera as though | tiny subject. - Eliot Porter |
| tomorrow you'd be stricken blind. | |
| - Dorothea Lange | |
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