| A great photograph is one that fully expresses | Once photography enters your bloodstream, |
| what one feels, in the deepest sense, about | it's like a disease. - Anon |
| what is being photographed. - Ansel | |
| Adams | Photography is my passion. - Alfred |
| | Stieglitz |
| Keep it simple. - Alfred Eienstaedt | |
| | "Simply look with perceptive eyes at the |
| You can find pictures anywhere. It's simply a | world about you, and trust to your own |
| matter of noticing things and organizing them. | reactions and convictions. Ask yourself: |
| You just have to care about what's around you | "Does this subject move me to feel, think |
| and have a concern with humanity and the | and dream? Can I visualize a print - my own |
| human comedy. - Elliott Erwitt | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
|
|
New York |
Miami |
Las Vegas |
Jacksonville |
Minneapolis |
Springfield |
Bethlehem |
Port Angeles |
Allen Park |
Buffalo |
Chillicothe |
Evergreen |
Clearwater |
Charlevoix |
Beaver Dam |
Sandwich |
Sevierville |
Itasca |
Harpers Ferry |
Arlington |
Cheverly |
Grand Island |
Deltona |
Harlingen |
Markham |
Anniston |
Florham Park |
Rancho Viejo |
Stillwater |
Solon |
|
|
| I think you have to have a real point of view | The camera makes everyone a tourist in other |
| that's your own. You have to tell it your way. | people's reality. - Susan Sontag |
| And, I think that it's a mistake to shoot for a | |
| specific magazine's point of view because it's | One should really use the camera as though |
| never going to be as good. You have to shoot | tomorrow you'd be stricken blind. |
| for yourself and photograph [the way] you | - Dorothea Lange |
| believe it. - Mary Ellen Mark | |
| | The difficulty with color is to go beyond the |
| ...words and pictures can work together to | fact that it's color to have it be not just a |
| communicate more powerfully than either | colorful picture but really be a picture about |
| alone. -William Albert Allard | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
|