| Photography knows how to authenticate its | I think the best pictures are often on the edges |
| misrepresentations. - Mason Cooley | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| Photography is a major force in explaining | photographing the edges. - William Albert |
| man to man. - Edward Steichen | Allard |
| | |
| Memory is very important, the memory of | A picture is the expression of an impression. If |
| each photo taken, flowing at the same speed | the beautiful were not in us, how would we |
| as the event. During the work, you have to be | ever recognize it? - Ernst Haas |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
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| One should really use the camera as though | Once photography enters your bloodstream, |
| tomorrow you'd be stricken blind. | it's like a disease. - Anon |
| - Dorothea Lange | |
| | Photography is my passion. - Alfred |
| The difficulty with color is to go beyond the | Stieglitz |
| fact that it's color to have it be not just a | |
| colorful picture but really be a picture about | Now to consult the rules of composition before |
| something. It's difficult. So often color gets | making a picture is a little like consulting the |
| caught up in color, and it becomes merely | law of gravitation before going for a walk. |
| decorative. Some photographers use [ it ] | Such rules and laws are deduced from the |
| brilliantly to make visual statements combining | accomplished fact; they are the products of |
| color and content; otherwise it is empty. | reflection . . . - Edward Weston |
| - Mary Ellen Mark | |
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