| I think the best pictures are often on the edges | A mad, keen photographer needs to get out |
| of any situation, I don't find photographing the | into the world and work and make mistakes. |
| situation nearly as interesting as | - Sam Abell |
| photographing the edges. - William Albert | |
| Allard | The difficulty with color is to go beyond the |
| | fact that it's color to have it be not just a |
| Sometimes you can tell a large story with a | colorful picture but really be a picture about |
| tiny subject. - Eliot Porter | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| A picture is the expression of an impression. If | decorative. Some photographers use [ it ] |
| the beautiful were not in us, how would we | brilliantly to make visual statements combining |
| ever recognize it? - Ernst Haas | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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Houston |
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Louisville |
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| [Photography] is a way of feeling, of touching, | Photography knows how to authenticate its |
| of loving. What you have caught on film is | misrepresentations. - Mason Cooley |
| captured forever . . . it remembers little things, | |
| long after you have forgotten everything. | You've got to push yourself harder. You've got |
| - Aaron Siskind | to start looking for pictures nobody else could |
| | take. You've got to take the tools you have and |
| Now to consult the rules of composition before | probe deeper. - William Albert Allard |
| making a picture is a little like consulting the | |
| law of gravitation before going for a walk. | Pictures you have taken have an influence on |
| Such rules and laws are deduced from the | those that you are going to make. |
| accomplished fact; they are the products of | That's life! - John Sexton |
| reflection . . . - Edward Weston | |
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