| I almost never set out to photograph a | You've got to push yourself harder. You've got |
| landscape, nor do I think of my camera as a | to start looking for pictures nobody else could |
| means of recording a mountain or an animal | take. You've got to take the tools you have and |
| unless I absolutely need a 'record shot'. My | probe deeper. - William Albert Allard |
| first thought is always of light. - Galen | |
| Rowell | Memory is very important, the memory of |
| | each photo taken, flowing at the same speed |
| Photography suits the temper of this ageof | as the event. During the work, you have to be |
| active bodies and minds. It is a perfect | sure that you haven't left any holes, that you've |
| medium for one whose mind is teeming with | captured everything, because afterwards it will |
| ideas, imagery, for a prolific worker who | be too late. - Henri Cartier Bresson |
| would be slowed down by painting or | |
| sculpting, for one who sees quickly and acts | |
| decisively, accurately. - Edward Weston | |
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New York |
Philadelphia |
Fort Worth |
Pittsburgh |
Portland |
Louisville |
Lubbock |
Augusta |
Columbus |
Kerrville |
Fontana |
Lake Worth |
Redding |
Allentown |
Fort Pierce |
Mansfield |
Foley |
Newport Beach |
Bonham |
Lake Charles |
Chula Vista |
Cedar Falls |
Orlando |
Rowland Heights |
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| Now to consult the rules of composition before | Keep it simple. - Alfred Eienstaedt |
| making a picture is a little like consulting the | |
| law of gravitation before going for a walk. | A great photograph is one that fully expresses |
| Such rules and laws are deduced from the | what one feels, in the deepest sense, about |
| accomplished fact; they are the products of | what is being photographed. - Ansel |
| reflection . . . - Edward Weston | Adams |
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| Above all, it's hard learning to live with vivid | No place is boring, if you've had a good |
| mental images of scenes I cared for and failed | night's sleep and have a pocket full of |
| to photograph. It is the edgy existence within | unexposed film. - Robert Adams |
| me of these unmade images that is the only | |
| assurance that the best photographs are yet to | |
| be made. - Sam Abell | |
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