| You've got to push yourself harder. You've got | I almost never set out to photograph a |
| to start looking for pictures nobody else could | landscape, nor do I think of my camera as a |
| take. You've got to take the tools you have and | means of recording a mountain or an animal |
| probe deeper. - William Albert Allard | unless I absolutely need a 'record shot'. My |
| | first thought is always of light. - Galen |
| Photography is about finding out what can | Rowell |
| happen in the frame. When you put four | |
| edges around some facts, you change those | The virtue of the camera is not the power it |
| facts. - Gary Winogrand | has to transform the photographer into an |
| | artist, but the impulse it gives him to keep on |
| | looking. - Brooks Anderson |
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San Francisco |
Miami |
Dallas |
Kansas City |
Columbus |
San Diego |
Nashville |
Chicago |
Indianapolis |
Mansfield |
Union |
Phoenix |
Hayward |
Cambridge |
Daytona Beach |
Braintree |
Chatsworth |
Arcadia |
Limon |
Lexington |
Gallatin |
Lakewood |
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| "Simply look with perceptive eyes at the | You can find pictures anywhere. It's simply a |
| world about you, and trust to your own | matter of noticing things and organizing them. |
| reactions and convictions. Ask yourself: | You just have to care about what's around you |
| "Does this subject move me to feel, think | and have a concern with humanity and the |
| and dream? Can I visualize a print - my own | human comedy. - Elliott Erwitt |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | Sometimes you can tell a large story with a |
| - Ansel Adams | tiny subject. - Eliot Porter |
| | |
| It is not the language of painters but the | No place is boring, if you've had a good |
| language of nature which one should listen to. | night's sleep and have a pocket full of |
| . . . The feeling for the things themselves, for | unexposed film. - Robert Adams |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | |
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