| Photography takes an instant out of time, | The virtue of the camera is not the power it |
| altering life by holding it still. - Dorothea | has to transform the photographer into an |
| Lange | artist, but the impulse it gives him to keep on |
| | looking. - Brooks Anderson |
| Photography is my passion. - Alfred | |
| Stieglitz | Photography suits the temper of this ageof |
| | active bodies and minds. It is a perfect |
| "Simply look with perceptive eyes at the | medium for one whose mind is teeming with |
| world about you, and trust to your own | ideas, imagery, for a prolific worker who |
| reactions and convictions. Ask yourself: | would be slowed down by painting or |
| "Does this subject move me to feel, think | sculpting, for one who sees quickly and acts |
| and dream? Can I visualize a print - my own | decisively, accurately. - Edward Weston |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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Houston |
San Francisco |
Orlando |
Cedar Rapids |
Muncie |
Bakersfield |
Chicago |
Puyallup |
Chattanooga |
Fayetteville |
Englewood |
Portsmouth |
Rockville Centre |
La Crosse |
Manteca |
Lakeland |
Horsham |
Hazlet |
Auburn Hills |
Grand Haven |
Melrose Park |
Delta |
Pine Bluff |
Pulaski |
Cedar City |
Arnold |
Framingham |
Conroe |
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| Photography knows how to authenticate its | A room hung with pictures is a room hung with |
| misrepresentations. - Mason Cooley | thoughts. - Sir Joshua Reynolds |
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| I think you have to have a real point of view | I think the best pictures are often on the edges |
| that's your own. You have to tell it your way. | of any situation, I don't find photographing the |
| And, I think that it's a mistake to shoot for a | situation nearly as interesting as |
| specific magazine's point of view because it's | photographing the edges. - William Albert |
| never going to be as good. You have to shoot | Allard |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | A picture is the expression of an impression. If |
| | the beautiful were not in us, how would we |
| | ever recognize it? - Ernst Haas |
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