| My own eyes are no more than scouts on a | A good picture is equivalent to a good deed. |
| preliminary search, for the camera's eye may | - Vincent Van Gogh |
| entirely change my idea. - Edward | |
| Weston | Keep it simple. - Alfred Eienstaedt |
| | |
| The camera makes everyone a tourist in other | A room hung with pictures is a room hung with |
| people's reality. - Susan Sontag | thoughts. - Sir Joshua Reynolds |
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| The difficulty with color is to go beyond the | You can find pictures anywhere. It's simply a |
| fact that it's color to have it be not just a | matter of noticing things and organizing them. |
| colorful picture but really be a picture about | You just have to care about what's around you |
| something. It's difficult. So often color gets | and have a concern with humanity and the |
| caught up in color, and it becomes merely | human comedy. - Elliott Erwitt |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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Tucson |
Clearwater |
Akron |
Memphis |
Hendersonville |
Alameda |
Palm Beach Gardens |
Stockton |
Waterford |
Tifton |
Palm Harbor |
Dothan |
Duluth |
Washington |
Vacaville |
Madison |
Nashua |
South San Francisco |
Downey |
Sterling Heights |
Palestine |
Flora |
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| Photography takes an instant out of time, | You've got to push yourself harder. You've got |
| altering life by holding it still. - Dorothea | to start looking for pictures nobody else could |
| Lange | take. You've got to take the tools you have and |
| | probe deeper. - William Albert Allard |
| There is nothing worse than a sharp image of | |
| a fuzzy concept. - Ansel Adams | Memory is very important, the memory of |
| | each photo taken, flowing at the same speed |
| "Simply look with perceptive eyes at the | as the event. During the work, you have to be |
| world about you, and trust to your own | sure that you haven't left any holes, that you've |
| reactions and convictions. Ask yourself: | captured everything, because afterwards it will |
| "Does this subject move me to feel, think | be too late. - Henri Cartier Bresson |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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