| Keep it simple. - Alfred Eienstaedt | [Photography] is a way of feeling, of touching, |
| | of loving. What you have caught on film is |
| A great photograph is one that fully expresses | captured forever . . . it remembers little things, |
| what one feels, in the deepest sense, about | long after you have forgotten everything. |
| what is being photographed. - Ansel | - Aaron Siskind |
| Adams | |
| | It is not the language of painters but the |
| No place is boring, if you've had a good | language of nature which one should listen to. |
| night's sleep and have a pocket full of | . . . The feeling for the things themselves, for |
| unexposed film. - Robert Adams | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
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Chicago |
Durham |
Bradenton |
Orlando |
Los Angeles |
Palm Bay |
Lodi |
Lakewood |
Champaign |
Staten Island |
Santee |
Burbank |
Chico |
Carson |
Olathe |
Deptford |
Fairfield |
Arnold |
Liverpool |
Metairie |
Paradise |
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| Photography knows how to authenticate its | One should really use the camera as though |
| misrepresentations. - Mason Cooley | tomorrow you'd be stricken blind. |
| | - Dorothea Lange |
| Photography is about finding out what can | |
| happen in the frame. When you put four | The virtue of the camera is not the power it |
| edges around some facts, you change those | has to transform the photographer into an |
| facts. - Gary Winogrand | artist, but the impulse it gives him to keep on |
| | looking. - Brooks Anderson |
| Photography records the gamut of feelings | |
| written on the human face, the beauty of the | The difficulty with color is to go beyond the |
| earth and skies that man has inherited and the | fact that it's color to have it be not just a |
| wealth and confusion man has created. | colorful picture but really be a picture about |
| - Edward Steichen | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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