| "Simply look with perceptive eyes at the | No place is boring, if you've had a good |
| world about you, and trust to your own | night's sleep and have a pocket full of |
| reactions and convictions. Ask yourself: | unexposed film. - Robert Adams |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | A room hung with pictures is a room hung with |
| personal statement of what I feel and want to | thoughts. - Sir Joshua Reynolds |
| convey - from the subject before me?" | |
| - Ansel Adams | You learn to see by practice. It's just like |
| | playing tennis, you get better the more you |
| There is nothing worse than a sharp image of | play. The more you look around at things, the |
| a fuzzy concept. - Ansel Adams | more you see. The more you photograph, the |
| | more you realize what can be photographed |
| | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
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Baltimore |
Portland |
Seattle |
Boston |
Indianapolis |
Tampa |
West Palm Beach |
Wallingford |
Alameda |
Hollywood |
Palestine |
Arlington Heights |
Lompoc |
Bentonville |
Metropolis |
West Allis |
Monahans |
Chapmanville |
Fallbrook |
Las Vegas |
Ft Collins |
Grayville |
Sunset Beach |
Beverly Hills |
Streetsboro |
Sand Spring |
Buttonwillow |
Texas City |
Lexington |
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| Photography is about finding out what can | The virtue of the camera is not the power it |
| happen in the frame. When you put four | has to transform the photographer into an |
| edges around some facts, you change those | artist, but the impulse it gives him to keep on |
| facts. - Gary Winogrand | looking. - Brooks Anderson |
| | |
| Photography is a major force in explaining | The camera makes everyone a tourist in other |
| man to man. - Edward Steichen | people's reality. - Susan Sontag |
| | |
| Photography records the gamut of feelings | One should really use the camera as though |
| written on the human face, the beauty of the | tomorrow you'd be stricken blind. |
| earth and skies that man has inherited and the | - Dorothea Lange |
| wealth and confusion man has created. | |
| - Edward Steichen | |
|