| ...words and pictures can work together to | A good picture is equivalent to a good deed. |
| communicate more powerfully than either | - Vincent Van Gogh |
| alone. -William Albert Allard | |
| | A picture is the expression of an impression. If |
| You've got to push yourself harder. You've got | the beautiful were not in us, how would we |
| to start looking for pictures nobody else could | ever recognize it? - Ernst Haas |
| take. You've got to take the tools you have and | |
| probe deeper. - William Albert Allard | You can find pictures anywhere. It's simply a |
| | matter of noticing things and organizing them. |
| I think you have to have a real point of view | You just have to care about what's around you |
| that's your own. You have to tell it your way. | and have a concern with humanity and the |
| And, I think that it's a mistake to shoot for a | human comedy. - Elliott Erwitt |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | |
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San Antonio |
New York |
St. Louis |
Buffalo |
Bayside |
Hampton |
Lorain |
Mentor |
Ocala |
Kingsport |
Morristown |
Chicago |
Memphis |
Covington |
Bothell |
Portland |
Newark |
Hamden |
Cedar Falls |
Sherman |
Woonsocket |
Pearl River |
Bloomington |
Frederick |
Orland Park |
Muncie |
Northport |
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| [Photography] is a way of feeling, of touching, | The virtue of the camera is not the power it |
| of loving. What you have caught on film is | has to transform the photographer into an |
| captured forever . . . it remembers little things, | artist, but the impulse it gives him to keep on |
| long after you have forgotten everything. | looking. - Brooks Anderson |
| - Aaron Siskind | |
| | Photography suits the temper of this ageof |
| "Simply look with perceptive eyes at the | active bodies and minds. It is a perfect |
| world about you, and trust to your own | medium for one whose mind is teeming with |
| reactions and convictions. Ask yourself: | ideas, imagery, for a prolific worker who |
| "Does this subject move me to feel, think | would be slowed down by painting or |
| and dream? Can I visualize a print - my own | sculpting, for one who sees quickly and acts |
| personal statement of what I feel and want to | decisively, accurately. - Edward Weston |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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