| One should really use the camera as though | A room hung with pictures is a room hung with |
| tomorrow you'd be stricken blind. | thoughts. - Sir Joshua Reynolds |
| - Dorothea Lange | |
| | I think the best pictures are often on the edges |
| Photography suits the temper of this ageof | of any situation, I don't find photographing the |
| active bodies and minds. It is a perfect | situation nearly as interesting as |
| medium for one whose mind is teeming with | photographing the edges. - William Albert |
| ideas, imagery, for a prolific worker who | Allard |
| would be slowed down by painting or | |
| sculpting, for one who sees quickly and acts | You learn to see by practice. It's just like |
| decisively, accurately. - Edward Weston | playing tennis, you get better the more you |
| | play. The more you look around at things, the |
| | more you see. The more you photograph, the |
| | more you realize what can be photographed |
| | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
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Chicago |
San Diego |
Los Angeles |
New Orleans |
Miami |
Kingsport |
Decatur |
Sacramento |
Kansas City |
Mission Viejo |
Elmhurst |
Farmington |
North Platte |
Burlingame |
Mount Pleasant |
Southington |
Sherman |
Terrell |
Norwalk |
Brentwood |
Wise |
Salt Lake City |
Benton |
Norman |
Franklin |
Hobbs |
Greenville |
Westborough |
Bay Harbor |
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| Above all, it's hard learning to live with vivid | Pictures you have taken have an influence on |
| mental images of scenes I cared for and failed | those that you are going to make. |
| to photograph. It is the edgy existence within | That's life! - John Sexton |
| me of these unmade images that is the only | |
| assurance that the best photographs are yet to | You've got to push yourself harder. You've got |
| be made. - Sam Abell | to start looking for pictures nobody else could |
| | take. You've got to take the tools you have and |
| Photography is my passion. - Alfred | probe deeper. - William Albert Allard |
| Stieglitz | |
| | Photography is about finding out what can |
| | happen in the frame. When you put four |
| | edges around some facts, you change those |
| | facts. - Gary Winogrand |
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