| You've got to push yourself harder. You've got | You learn to see by practice. It's just like |
| to start looking for pictures nobody else could | playing tennis, you get better the more you |
| take. You've got to take the tools you have and | play. The more you look around at things, the |
| probe deeper. - William Albert Allard | more you see. The more you photograph, the |
| | more you realize what can be photographed |
| Photography is about finding out what can | and what can't be photographed. You just have |
| happen in the frame. When you put four | to keep doing it. - Eliot Porter |
| edges around some facts, you change those | |
| facts. - Gary Winogrand | You can find pictures anywhere. It's simply a |
| | matter of noticing things and organizing them. |
| | You just have to care about what's around you |
| | and have a concern with humanity and the |
| | human comedy. - Elliott Erwitt |
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|
Washington |
New Orleans |
Lafayette |
Vancouver |
Gaithersburg |
Anderson |
Allen Park |
Belleville |
Decatur |
Dover |
Cocoa |
Itasca |
Biloxi |
Spring Lake |
Hermitage |
Natick |
Englewood |
Decatur |
Glenview |
Pensacola |
Syosset |
Concord |
Bay Minette |
Cambridge |
Port Aransas |
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| "Simply look with perceptive eyes at the | My own eyes are no more than scouts on a |
| world about you, and trust to your own | preliminary search, for the camera's eye may |
| reactions and convictions. Ask yourself: | entirely change my idea. - Edward |
| "Does this subject move me to feel, think | Weston |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | The difficulty with color is to go beyond the |
| convey - from the subject before me?" | fact that it's color to have it be not just a |
| - Ansel Adams | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| It is not the language of painters but the | caught up in color, and it becomes merely |
| language of nature which one should listen to. | decorative. Some photographers use [ it ] |
| . . . The feeling for the things themselves, for | brilliantly to make visual statements combining |
| reality, is more important than the feeling for | color and content; otherwise it is empty. |
| pictures. - Vincent Van Gogh | - Mary Ellen Mark |
|