| One should really use the camera as though | Memory is very important, the memory of |
| tomorrow you'd be stricken blind. | each photo taken, flowing at the same speed |
| - Dorothea Lange | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| Photography suits the temper of this ageof | captured everything, because afterwards it will |
| active bodies and minds. It is a perfect | be too late. - Henri Cartier Bresson |
| medium for one whose mind is teeming with | |
| ideas, imagery, for a prolific worker who | Photography is about finding out what can |
| would be slowed down by painting or | happen in the frame. When you put four |
| sculpting, for one who sees quickly and acts | edges around some facts, you change those |
| decisively, accurately. - Edward Weston | facts. - Gary Winogrand |
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| Sometimes you can tell a large story with a | There is nothing worse than a sharp image of |
| tiny subject. - Eliot Porter | a fuzzy concept. - Ansel Adams |
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| A good picture is equivalent to a good deed. | Now to consult the rules of composition before |
| - Vincent Van Gogh | making a picture is a little like consulting the |
| | law of gravitation before going for a walk. |
| A room hung with pictures is a room hung with | Such rules and laws are deduced from the |
| thoughts. - Sir Joshua Reynolds | accomplished fact; they are the products of |
| | reflection . . . - Edward Weston |
| You learn to see by practice. It's just like | |
| playing tennis, you get better the more you | |
| play. The more you look around at things, the | |
| more you see. The more you photograph, the | |
| more you realize what can be photographed | |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | |
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