| The virtue of the camera is not the power it | You've got to push yourself harder. You've got |
| has to transform the photographer into an | to start looking for pictures nobody else could |
| artist, but the impulse it gives him to keep on | take. You've got to take the tools you have and |
| looking. - Brooks Anderson | probe deeper. - William Albert Allard |
| | |
| My own eyes are no more than scouts on a | Photography is a major force in explaining |
| preliminary search, for the camera's eye may | man to man. - Edward Steichen |
| entirely change my idea. - Edward | |
| Weston | Memory is very important, the memory of |
| | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
|
|
Houston |
Chicago |
Anaheim |
Riverside |
El Cajon |
Dublin |
Chaska |
Williamsport |
Gaylord |
Holyoke |
Pacific Grove |
Delta |
Sonoma |
Burlingame |
Miami Springs |
Fremont |
San Antonio |
Barre |
Collierville |
Pembroke Pines |
Alexandria |
Durango |
Winnsboro |
East Liverpool |
Hampton |
Garland |
Orland Park |
Clermont |
Waterbury |
Defiance |
|
|
| Once photography enters your bloodstream, | I think the best pictures are often on the edges |
| it's like a disease. - Anon | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| It is not the language of painters but the | photographing the edges. - William Albert |
| language of nature which one should listen to. | Allard |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | A room hung with pictures is a room hung with |
| pictures. - Vincent Van Gogh | thoughts. - Sir Joshua Reynolds |
| | |
| Above all, it's hard learning to live with vivid | Sometimes you can tell a large story with a |
| mental images of scenes I cared for and failed | tiny subject. - Eliot Porter |
| to photograph. It is the edgy existence within | |
| me of these unmade images that is the only | |
| assurance that the best photographs are yet to | |
| be made. - Sam Abell | |
|