| The virtue of the camera is not the power it | Now to consult the rules of composition before |
| has to transform the photographer into an | making a picture is a little like consulting the |
| artist, but the impulse it gives him to keep on | law of gravitation before going for a walk. |
| looking. - Brooks Anderson | Such rules and laws are deduced from the |
| | accomplished fact; they are the products of |
| My own eyes are no more than scouts on a | reflection . . . - Edward Weston |
| preliminary search, for the camera's eye may | |
| entirely change my idea. - Edward | Photography takes an instant out of time, |
| Weston | altering life by holding it still. - Dorothea |
| | Lange |
|
|
Chicago |
Alexandria |
Tucson |
Glendale |
Fresno |
Ann Arbor |
Terre Haute |
Evansville |
Leominster |
Detroit |
Concord |
Conroe |
El Cajon |
Allentown |
Metropolis |
Cedar Rapids |
Lafayette |
Maryland Heights |
Madeira Beach |
Midlothian |
Paris |
Keystone |
Rancho Mirage |
Winnsboro |
Lake Lanier Island |
|
|
| Memory is very important, the memory of | A picture is the expression of an impression. If |
| each photo taken, flowing at the same speed | the beautiful were not in us, how would we |
| as the event. During the work, you have to be | ever recognize it? - Ernst Haas |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | I think the best pictures are often on the edges |
| be too late. - Henri Cartier Bresson | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| Photography records the gamut of feelings | photographing the edges. - William Albert |
| written on the human face, the beauty of the | Allard |
| earth and skies that man has inherited and the | |
| wealth and confusion man has created. | |
| - Edward Steichen | |
|