| Sometimes you can tell a large story with a | It is not the language of painters but the |
| tiny subject. - Eliot Porter | language of nature which one should listen to. |
| | . . . The feeling for the things themselves, for |
| You can find pictures anywhere. It's simply a | reality, is more important than the feeling for |
| matter of noticing things and organizing them. | pictures. - Vincent Van Gogh |
| You just have to care about what's around you | |
| and have a concern with humanity and the | Above all, it's hard learning to live with vivid |
| human comedy. - Elliott Erwitt | mental images of scenes I cared for and failed |
| | to photograph. It is the edgy existence within |
| A good picture is equivalent to a good deed. | me of these unmade images that is the only |
| - Vincent Van Gogh | assurance that the best photographs are yet to |
| | be made. - Sam Abell |
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Cincinnati |
San Diego |
Lincoln |
Raleigh |
Fort Worth |
Cypress |
Baltimore |
Grand Junction |
Hollywood |
Washington |
San Jose |
San Mateo |
Des Moines |
Greenfield |
Burlington |
Geneva |
Concord |
Dublin |
Dearborn |
North Hollywood |
Thibodaux |
Martinsburg |
Cookeville |
Lexington Park |
Hillsboro |
Mt. Vernon |
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| Pictures you have taken have an influence on | My own eyes are no more than scouts on a |
| those that you are going to make. | preliminary search, for the camera's eye may |
| That's life! - John Sexton | entirely change my idea. - Edward |
| | Weston |
| Photography records the gamut of feelings | |
| written on the human face, the beauty of the | I almost never set out to photograph a |
| earth and skies that man has inherited and the | landscape, nor do I think of my camera as a |
| wealth and confusion man has created. | means of recording a mountain or an animal |
| - Edward Steichen | unless I absolutely need a 'record shot'. My |
| | first thought is always of light. - Galen |
| | Rowell |
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