| Now to consult the rules of composition before | Photography is a major force in explaining |
| making a picture is a little like consulting the | man to man. - Edward Steichen |
| law of gravitation before going for a walk. | |
| Such rules and laws are deduced from the | Memory is very important, the memory of |
| accomplished fact; they are the products of | each photo taken, flowing at the same speed |
| reflection . . . - Edward Weston | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| There is nothing worse than a sharp image of | captured everything, because afterwards it will |
| a fuzzy concept. - Ansel Adams | be too late. - Henri Cartier Bresson |
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Pittsburgh |
Mesa |
Jersey City |
Brooklyn |
Los Angeles |
Metairie |
Johnson City |
White Plains |
Garland |
Westlake |
Westminster |
Stockton |
St. Paul |
Bethel |
Wichita |
Hamburg |
New Castle |
Placentia |
Rapid City |
Belleville |
Manitowoc |
Sand Springs |
Rocky Mount |
Harrison |
Bedford |
Glenview |
Hastings |
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| Sometimes you can tell a large story with a | A mad, keen photographer needs to get out |
| tiny subject. - Eliot Porter | into the world and work and make mistakes. |
| | - Sam Abell |
| I think the best pictures are often on the edges | |
| of any situation, I don't find photographing the | Photography suits the temper of this ageof |
| situation nearly as interesting as | active bodies and minds. It is a perfect |
| photographing the edges. - William Albert | medium for one whose mind is teeming with |
| Allard | ideas, imagery, for a prolific worker who |
| | would be slowed down by painting or |
| You can find pictures anywhere. It's simply a | sculpting, for one who sees quickly and acts |
| matter of noticing things and organizing them. | decisively, accurately. - Edward Weston |
| You just have to care about what's around you | |
| and have a concern with humanity and the | |
| human comedy. - Elliott Erwitt | |
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