| A good picture is equivalent to a good deed. | I think you have to have a real point of view |
| - Vincent Van Gogh | that's your own. You have to tell it your way. |
| | And, I think that it's a mistake to shoot for a |
| You can find pictures anywhere. It's simply a | specific magazine's point of view because it's |
| matter of noticing things and organizing them. | never going to be as good. You have to shoot |
| You just have to care about what's around you | for yourself and photograph [the way] you |
| and have a concern with humanity and the | believe it. - Mary Ellen Mark |
| human comedy. - Elliott Erwitt | |
| | Photography records the gamut of feelings |
| A great photograph is one that fully expresses | written on the human face, the beauty of the |
| what one feels, in the deepest sense, about | earth and skies that man has inherited and the |
| what is being photographed. - Ansel | wealth and confusion man has created. |
| Adams | - Edward Steichen |
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New York |
Santa Rosa |
Iowa City |
Newport News |
Trumbull |
Fayetteville |
Schenectady |
Auburn |
Parsons |
Highland Park |
Visalia |
Charlevoix |
Kennett |
Playa Del Rey |
Poulsbo |
Brookings |
Candler |
Las Cruces |
Espanola |
Kerrville |
Sterling |
Columbia |
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| The virtue of the camera is not the power it | Now to consult the rules of composition before |
| has to transform the photographer into an | making a picture is a little like consulting the |
| artist, but the impulse it gives him to keep on | law of gravitation before going for a walk. |
| looking. - Brooks Anderson | Such rules and laws are deduced from the |
| | accomplished fact; they are the products of |
| The camera makes everyone a tourist in other | reflection . . . - Edward Weston |
| people's reality. - Susan Sontag | |
| | It is not the language of painters but the |
| Photography suits the temper of this ageof | language of nature which one should listen to. |
| active bodies and minds. It is a perfect | . . . The feeling for the things themselves, for |
| medium for one whose mind is teeming with | reality, is more important than the feeling for |
| ideas, imagery, for a prolific worker who | pictures. - Vincent Van Gogh |
| would be slowed down by painting or | |
| sculpting, for one who sees quickly and acts | |
| decisively, accurately. - Edward Weston | |
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