| A picture is the expression of an impression. If | You've got to push yourself harder. You've got |
| the beautiful were not in us, how would we | to start looking for pictures nobody else could |
| ever recognize it? - Ernst Haas | take. You've got to take the tools you have and |
| | probe deeper. - William Albert Allard |
| I think the best pictures are often on the edges | |
| of any situation, I don't find photographing the | Pictures you have taken have an influence on |
| situation nearly as interesting as | those that you are going to make. |
| photographing the edges. - William Albert | That's life! - John Sexton |
| Allard | |
| | ...words and pictures can work together to |
| | communicate more powerfully than either |
| | alone. -William Albert Allard |
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Houston |
Buffalo |
Winchester |
Bayside |
Visalia |
Chelmsford |
Kearney |
Asheville |
Milwaukie |
Ponte Vedra Beach |
Cedartown |
New Bedford |
Corrales |
Altus |
Lake Havasu |
Plantation |
Rosenberg |
Muskegon |
Dorchester |
Ashburn |
Winnie |
Russellville |
Ligonier |
Plymouth Meeting |
Campbellsville |
Carbondale |
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| "Simply look with perceptive eyes at the | The virtue of the camera is not the power it |
| world about you, and trust to your own | has to transform the photographer into an |
| reactions and convictions. Ask yourself: | artist, but the impulse it gives him to keep on |
| "Does this subject move me to feel, think | looking. - Brooks Anderson |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | My own eyes are no more than scouts on a |
| convey - from the subject before me?" | preliminary search, for the camera's eye may |
| - Ansel Adams | entirely change my idea. - Edward |
| | Weston |
| There is nothing worse than a sharp image of | |
| a fuzzy concept. - Ansel Adams | |
|