| A room hung with pictures is a room hung with | Photography suits the temper of this ageof |
| thoughts. - Sir Joshua Reynolds | active bodies and minds. It is a perfect |
| | medium for one whose mind is teeming with |
| Sometimes you can tell a large story with a | ideas, imagery, for a prolific worker who |
| tiny subject. - Eliot Porter | would be slowed down by painting or |
| | sculpting, for one who sees quickly and acts |
| You can find pictures anywhere. It's simply a | decisively, accurately. - Edward Weston |
| matter of noticing things and organizing them. | |
| You just have to care about what's around you | One should really use the camera as though |
| and have a concern with humanity and the | tomorrow you'd be stricken blind. |
| human comedy. - Elliott Erwitt | - Dorothea Lange |
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Chicago |
Las Vegas |
Birmingham |
Jacksonville |
Wilmington |
Indianapolis |
Springfield |
Clayton |
North Brunswick |
Hot Springs |
Walnut Creek |
Danbury |
Novi |
Greer |
Sand Springs |
Glen Ellyn |
La Junta |
Deer Park |
Ulysses |
Bellefourche |
South Hutchinson |
Fulton |
Union |
Pasadena |
Oak Park |
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| Now to consult the rules of composition before | Memory is very important, the memory of |
| making a picture is a little like consulting the | each photo taken, flowing at the same speed |
| law of gravitation before going for a walk. | as the event. During the work, you have to be |
| Such rules and laws are deduced from the | sure that you haven't left any holes, that you've |
| accomplished fact; they are the products of | captured everything, because afterwards it will |
| reflection . . . - Edward Weston | be too late. - Henri Cartier Bresson |
| | |
| It is not the language of painters but the | Pictures you have taken have an influence on |
| language of nature which one should listen to. | those that you are going to make. |
| . . . The feeling for the things themselves, for | That's life! - John Sexton |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | |
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