| "Simply look with perceptive eyes at the | You learn to see by practice. It's just like |
| world about you, and trust to your own | playing tennis, you get better the more you |
| reactions and convictions. Ask yourself: | play. The more you look around at things, the |
| "Does this subject move me to feel, think | more you see. The more you photograph, the |
| and dream? Can I visualize a print - my own | more you realize what can be photographed |
| personal statement of what I feel and want to | and what can't be photographed. You just have |
| convey - from the subject before me?" | to keep doing it. - Eliot Porter |
| - Ansel Adams | |
| | No place is boring, if you've had a good |
| There is nothing worse than a sharp image of | night's sleep and have a pocket full of |
| a fuzzy concept. - Ansel Adams | unexposed film. - Robert Adams |
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Orlando |
Indianapolis |
Phoenix |
Miami |
Austin |
Greensboro |
Sarasota |
Buffalo |
Crossville |
Chico |
Syosset |
Champaign |
Palm Desert |
Agoura Hills |
Birmingham |
Richmond |
Lebanon |
Long Beach |
Parkersburg |
Renton |
Corvallis |
Escanaba |
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| Photography is a major force in explaining | My own eyes are no more than scouts on a |
| man to man. - Edward Steichen | preliminary search, for the camera's eye may |
| | entirely change my idea. - Edward |
| You've got to push yourself harder. You've got | Weston |
| to start looking for pictures nobody else could | |
| take. You've got to take the tools you have and | One should really use the camera as though |
| probe deeper. - William Albert Allard | tomorrow you'd be stricken blind. |
| | - Dorothea Lange |
| Photography knows how to authenticate its | |
| misrepresentations. - Mason Cooley | The virtue of the camera is not the power it |
| | has to transform the photographer into an |
| | artist, but the impulse it gives him to keep on |
| | looking. - Brooks Anderson |
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